PERFORMANCE RÆSUME  

FILM/TELEVISION/CD-ROM

Much of the film work I’ve done can be found on IMDb. There are several projects that are lesser known, due to a lack of distribution or public screening; I feel I should give credit where it’s due, in that each project serves to offer timely lessons — whether positive or negative, they’ve proven to be consistently valuable. 

While I've done a fair amount of industrial and educational videos (and a few commercials), I'll refrain from posting those here.

GOOD DAY SACRAMENTO (13 spots)					THE CONSULTANT (RECURRING)
CBS13/CW31

THE BILL COLLECTOR						JOHN BLACK (PRINCIPLE)*
PACIFIC CREST MEDIA/GOLD RUSH PRODUCTIONS

REMEMB'RING REESE						THE MAN (PRINCIPLE)*
ÆSTUS FILMS

REDEFINING INTEGRITY NEVER GOES SOUR				CARL (PRINCIPLE)*
ÆSTUS FILMS

THE MATURATION OF MAN IN 8 MEASURES				CARL (PRINCIPLE)*
ÆSTUS FILMS

LOVE LOST, REVENGE FOUND					GEIDI (PRINCIPLE)*
THREE HENCHMEN/iLINE ENTERTAINMENT

SATURATED							SEEKER (PRINCIPLE)*
ÆSTUS/THREE HENCHMEN/iLINE ENTERTAINMENT

A BULLET OVER FIVES						ADRIAN (PRINCIPLE)
KEJO PRODUCTIONS/iLINE ENTERTAINMENT

ACEDIA								JEREMY (PRINCIPLE)**
ÆSTUS FILMS

40 YEAR SCOTCH							THE VOICE (PRINCIPLE)**
ÆSTUS FILMS/GRANITE BAY PRODUCTIONS

FUGITIVE HUNTER							ED FREEMAN (PRINCIPLE)
LION'S GATE FILMS/BLUE BOMBER ENT.

PEBBLE THEORY - "THERAPY"					BROTHER (PRINCIPLE)
HUNBUN FILMS

STUDY GUIDE							TED (PRINCIPLE)
PARA VER PRODUCTIONS	

REVERB								STICK (PRINCIPLE)
YORK CREATIVE

POWER								DEV (PRINCIPLE)
MICHAEL DRYHURST PROD. LTD

TAKE IT TO THE LIMIT						DON (PRINCIPLE)
NEW HORIZON/CORMAN FILMS

NOAH'S PARK (ANIMATED)						SCREECH/HOWLER (VO PRINCIPLES)
COOK COMMUNICATIONS

SLAVES TO THE UNDERGROUND					JIMMY (PRINCIPLE)
FIRST LOOK PICTURES

DEAD SOLDIERS							TAYLOR (PRINCIPLE)
JOY ART, INC.

AMERICA'S MOST WANTED						BRIAN (PRINCIPLE)
FOX TELEVISION

PHANTASMAGORIA II						MAX (SUPPORTING)
SIERRA ON-LINE

THE ANTELOPE CHESS GAME						DAVID CERVELLI (PRINCIPLE)
INTO THE LIGHT PROD.

WHERE THE AIR IS COOL AND DARK					BILLY TRIGGS (CAMEO)
SHAVE/HAIRCUT PROD.

THE ROAD							STU  (PRINCIPLE)
AEROPAGUS PICTURES

FILLING THE VOID						MIKE (SUPPORTING)
GALLOPING PICTURES

THEATRE

I’ll always come back to theatre. It’s vital, I believe, to have live commerce with an audience. It keeps a performer grounded, humble, and alive—awake to the possibilities that at any moment, anything can go wrong. It leads a performer to create characters that can be sustained for hours at a time instead of relying upon the luxury of cutting and reshooting. I started my training in theatre, and continue it every time I step out on the boards; to me, theatre is like coming home.

ROMEO AND JULIET						MERCUTIO**
HALCYON ENTERTAINMENT

JESUS CHRIST SUPERSTAR						JUDAS
GARBEAU'S DINNER THEATRE

CYRANO DE BERGERAC						VALVERT/SOLDIER*
LITTLE BUS PLAYERS

LITTLE SHOP OF HORRORS						AUDREY II
GARBEAU'S DINNER THEATRE

CORPSE!								EVELYN/RUPERT FARRANT*
GARBEAU'S DINNER THEATRE

SLEUTH								MILO TINDLE
GARBEAU'S DINNER THEATRE

SHAKESPEARE & FRIENDS CO.					CORE COMPANY MEMBER
SHAKESPEARE & FRIENDS

MURDER AT THE CAPTAIN'S TABLE					TELLY*
UPSIDE DOWN THEATRE	

A MIDSUMMER NIGHT'S DREAM					THESEUS
NSC/CATSKILLS SHAKESPEARE

AMADEUS								WOLFGANG MOZART
LANE PERFORMING ARTS	

NO EXIT								GARCIN
LANE PERFORMING ARTS	

JESUS CHRIST SUPERSTAR						SIMON ZEALOTES
ACTORS CABARET OF EUGENE

THE ROCKY HORROR SHOW						RIFF-RAFF
ACTORS CABARET OF EUGENE	

SCREENPLAY READING SERIES					COMPANY MEMBER
SEATTLE CINEMA CO-OP

MILTON IN PARADISE (World Premiere)				MILTON
BRICOLAGE THEATRE

MAKE ME AN ANGEL (World Premiere)				AL
OPEN CIRCLE THEATRE COMPANY

THE ACTOR'S NIGHTMARE						GEORGE SPELVIN
NORTHWEST ACTOR'S STUDIO	

OF MICE AND MEN							GEORGE MILTON
ACTORS IN GOOD COMPANY
	

*ALSO DIRECTOR

*ALSO FIGHT CHOREOGRAPHER

COMMERCIAL/INDUSTRIAL

I've done some commercial work, but not much. I know, it pays the best, and I have straight,, fairly white teeth--so what's the deal? Well, honestly--I just don't go out for them much. Maybe I take myself too seriously...however, I've done way too many industrials to list. Somewhere around 50, I think. And you don't want to read those because you'll never see them unless you're employed by the company or you're attending whatever school or seminar that throws them into the curriculum vitae. So I'll spare you.

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